With Sofia Coppola’s biopic on Priscilla Presley, titled “Priscilla,” now released, we’re eager to see how the renowned director has depicted Presley’s narrative from her viewpoint. Much like Coppola’s previous films, “Priscilla” promises to be another visually stunning and atmospheric masterpiece, similar to “Marie Antoinette” and “The Virgin Suicides.”
The trailers provide us with glimpses of Presley’s iconic black beehive and winged eyeliner, brought to life by actress Cailee Spaeny. But how do her on-screen outfits stack up against those worn by the real Priscilla Presley? Let’s compare four of Priscilla Presley’s actual ensembles with their cinematic recreations.
Departure from Germany, 1960
Elvis Presley’s honorable discharge from an 18-month stint in the Army in West Germany meant leaving his girlfriend, Priscilla Beaulieu, who resided with her family on the military base. The pair met when Elvis was 24 and Priscilla was a mere 14, and they tied the knot just before she turned 22.
In the film, Coppola faithfully recreates based on photographs of Beaulieu bidding farewell to Presley at Frankfurt Airport. Spaeny dresses in a grey belted dress featuring blue and brown plaid, a brown jacket, and a white headscarf to mirror her.
Erdem’s Historic Bloomsbury Townhouse Seamlessly Merges Past and Present.
Elvis and Priscilla’s Wedding, 1967
Coppola appears to have taken a more artistic approach to the couple’s Las Vegas wedding. Nonetheless, the fundamental aspects are intact: Priscilla’s towering beehive, eyeliner, and tiara-adorned veil are all depicted. However, when it comes to her long-sleeved wedding dress, Coppola seems to have exercised a bit more creative freedom, adding more lace in the style reminiscent of a Lisbon sister.
Thanksgiving, 1970
One of the most memorable photos of the duo was captured at their residence during Thanksgiving Day in 1970. Elvis is seen lounging on a sage leather chair, donned in a blue suit with an unbuttoned light blue shirt featuring a dramatic collar, black ankle boots, and golden aviators. Kneeling beside him is Priscilla, wearing a lilac blouse with a stretchy body and voluminous peasant sleeves, paired with dark purple trousers, her hair released from its typical black bouffant. These attires appear almost identical in the movie, although the trailer hints that not everything was as blissful as it seemed behind closed doors.