Chapter 3: Critical Acclaim (1956-1959)
The late 1950s marked a period of profound transformation and recognition for Marilyn Monroe, as she took on roles that challenged her acting prowess and earned her critical acclaim. This chapter examines the significant films during 1956 to 1959, particularly “Bus Stop” and “Some Like It Hot,” which not only demonstrated her versatility as an actress but also solidified her standing in the realm of serious cinema.
A New Direction with “Bus Stop”
In 1956, Marilyn took a bold step in her career with her role in “Bus Stop,” directed by Joshua Logan. Breaking away from the typecast roles of the seductive blonde, Marilyn portrayed Chérie, a down-on-her-luck saloon singer with dreams of stardom, who becomes the object of a cowboy’s naïve affection. Her performance was a revelation to critics and audiences alike, showcasing her ability to embody a character with depth, vulnerability, and complexity. Marilyn’s portrayal of Chérie was hailed as a significant departure from her previous work, displaying her substantial dramatic talent and earning her widespread praise. “Bus Stop” was a critical success, and Marilyn’s performance is often cited as one of the finest of her career, marking a turning point where she was finally recognized for her acting skills.
Triumph in “Some Like It Hot”
The pinnacle of Marilyn’s critical acclaim came in 1959 with the release of “Some Like It Hot,” directed by Billy Wilder. In this classic comedy, Marilyn starred as Sugar Kane, a ukulele-playing singer in an all-girl band, unwittingly entangled with two musicians (played by Tony Curtis and Jack Lemmon) on the run from the mob, disguised as women. Marilyn’s comedic timing, charm, and vulnerability shone through her portrayal of Sugar, earning her universal acclaim. The film was a monumental success, both commercially and critically, and is often heralded as one of the greatest comedy films of all time. Marilyn’s performance in “Some Like It Hot” not only showcased her exceptional talent for comedy but also proved her mettle as a versatile actress capable of handling complex roles.
Conclusion
The years 1956 to 1959 were pivotal in Marilyn Monroe’s journey towards critical acclaim and artistic validation. Through her transformative performances in “Bus Stop” and “Some Like It Hot,” Marilyn broke free from the confines of her earlier typecast roles, revealing the depth and breadth of her acting abilities. These films not only contributed to her legacy as a cinematic icon but also established her as a serious actress worthy of respect and admiration. Marilyn’s work during this period remains a testament to her enduring talent and her relentless pursuit of artistic excellence.
Coming Up Next: Chapter 4, Marilyn Monroe’s Legacy: The Final Years (1960-1962)
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