Marilyn Monroe Movies
Marilyn Monroe Movies provide a captivating tale of ambition, resilience, and transformation. Her name echoes through the annals of Hollywood history, and she was much more than just a glamorous starlet. Marilyn Monroe was a complex actress with a filmography that spanned various genres and displayed her range and depth of talent. From her early days in minor roles to her rise as a leading lady, this retrospective aims to delve into the roles that defined her career, showcasing how she went from being Norma Jeane Mortenson, a young girl with dreams of stardom, to becoming Marilyn Monroe, an enduring icon of the silver screen.
At first, Monroe wasn’t initially considered to be star acting material. Her acting career didn’t really take off until a few years later. With her breathy voice and hourglass figure, she would soon become one of Hollywood’s most famous actresses. Marilyn Monroe movies proved her skill by winning various honors and attracting large audiences to her films. So, let the reel roll and the magic of Marilyn Monroe’s cinematic brilliance unfold.
Monroe became a much-admired international star despite chronic insecurities regarding her acting abilities. She suffered from pre-performance anxiety that sometimes made her physically ill and was often the root cause of her legendary tardiness on film sets, which was so extreme that it often infuriated her co-stars and crew.
“She would be the greatest if she ran like a watch,” director Billy Wilder once said of her. “I have an aunt Minnie who’s very punctual, but who would pay to see Aunt Minnie?”
Throughout her career, Monroe was signed and released from several contracts with film studios.
In the mid-1950s Monroe grew tired of bubbly, dumb blonde roles and moved to New York City to study acting with Lee Strasberg at the Actors’ Studio.
By the early 1960s, however, Monroe’s professional and personal life seemed to be in turmoil following unsuccessful relationships. Her last two films, Let’s Make Love (1960) and The Misfits (1961), were box office disappointments.
This exploration into Marilyn Monroe movies offers a comprehensive look at her cinematic journey, charting her progression from minor roles to leading lady status. We delve into the iconic roles that defined her career, showcasing the versatility and talent of this unforgettable star. Join us as we journey through the captivating and complex world of Marilyn Monroe’s filmography.
Marilyn Monroe’s Cinematic Journey
Marilyn Monroe’s Debut: A Look at ‘Scudda Hoo! Scudda Hay!’ 1948: Betty Schaefer
Monroe’s cinematic journey began with a small but significant role in the 1948 film “Scudda Hoo! Scudda Hay!”. In this article, we take a closer look at Monroe’s debut performance as Betty Schaefer.
“Scudda Hoo! Scudda Hay!” is a rural comedy directed by F. Hugh Herbert. The film explores the lives of two rival farm families in the American Midwest and their struggles and conflicts. In the midst of this rustic narrative, a young Marilyn Monroe, credited as Norma Jeane Dougherty, made her first appearance on the big screen.
Monroe’s role in the film was minor — she plays Betty Schaefer, a character who has only a few moments of screen time. Her lines were simple and her scenes fleeting, but it marked the beginning of what would become one of the most illustrious careers in Hollywood history.
While “Scudda Hoo! Scudda Hay!” did not provide Monroe with the opportunity to showcase the full extent of her acting abilities, it served as a stepping stone into the world of cinema. Playing the part of Betty Schaefer, Monroe brought a touch of brightness and charm to the film, hinting at the star quality she possessed.
Looking back at “Scudda Hoo! Scudda Hay!”, it’s fascinating to see Monroe in the early stages of her career. Although her role was small, it was an important first step that led to bigger opportunities. The film may not feature in the list of Monroe’s most memorable performances, but it will always be remembered as the starting point of her illustrious cinematic journey.
In subsequent years, Monroe would go on to star in a series of successful films, proving her mettle as a versatile actress. From “Niagara” and “Gentlemen Prefer Blondes” to “Some Like It Hot”, Monroe’s performances demonstrated her ability to handle a range of roles, showcasing her talent for drama, comedy, and musicals.
Despite her early beginnings in a small role like Betty Schaefer in “Scudda Hoo! Scudda Hay!”, Marilyn Monroe managed to carve out a career that continues to inspire and captivate audiences worldwide. Her debut performance offers a glimpse into the blossoming of a legend, marking the inception of a remarkable journey that would leave an indelible mark on Hollywood.
MOVIE MEMORIES: SCUDDA HOO! SCUDDA HAY! – Betty Schaefer
“A cry that stirs young hearts to love!”
Scudda Hoo! Scudda Hay! is a 1948 American comedy film written and directed by F. Hugh Herbert starring June Haver, Lon McCallister and a very young Natalie Wood. Released on April 26th 1948 through Twentieth Century FOX, it is known for being the first movie Marilyn Monroe appeared in.
PLOT:
Snug is unhappy living on the farm with his mean-spirited stepmother Judith and Surly stepbrother Stretch. When his father goes off to sea, bequeathing all of his possessions to his natural son in the event of his own death, Snug takes on work as a farm hand for irascible Roarer McGill and, under contract to pay $5 a week for one year, buys two mules from him.
The mules. Moonbeam and Crowder, start working well for Snug, but life is made difficult by nasty Stretch, who is not only making advances to Snug’s sweetheart, Rad, but also attempting to have him fired from his job and thus unable to keep up the payments on the mules.
FUN FACTS:
* This movie is only for the die hard Marilyn fans, as she only appears on screen for a matter of seconds and has only one line: “Hi Rad!” so please bare that in mind if you’re thinking of adding it to your collection.
* The original shooting script confirms that another slightly longer scene featuring Marilyn was definitely shot, only to be edited out just prior to the film’s release. This took place at the lake, preceding the segment in the released version in which Snug spies Stretch and Rad approaching the creek together in a boat. Stretch is sunning hiself on the dock when a boat approaches containing Betty and June (Colleen Townsend), described as “a couple of pretty bobby-soxers”;
Betty (gayly): Hi Stretch.
Stretch (drawling): Hi Betty– hi June.
June (coyly) Is it all right with you if we swim off your dock?
With one bare foot, Stretch shoves the nose off the boat out into the stream again
Stretch (grinning): No—it ain’t.
Betty: Ah, Stretch—why not?
Stretch: You’re too young, Come back in a couple of years time.
Giggling, the two kids pull out of the shot.
Unfortunately for both kids, they were also pulled out of the film. All that survives is a long distance background shot of the two girls rowing: neither of their faces are visible.
MARILYN’S WARDROBE:
It really is a ‘blink and you’ll miss her’ appearance from Marilyn, but she still looks super cute in a blue and white day dress.
MEMORIES OF MARILYN:
Colleen Townsend’s scene with Marilyn in a rowing boat unfortunately ended up on the cutting room floor, but here she remembers her time with the future star.
“It wasn’t much of a part for either Marilyn or for me, was it?… I never really knew her very well– you know, we didn’t socialize together –but I remember her best from the classes we attended together for the Actor’s Lab, and I just have very, very fond memories of her… Basically, at her heart, she was a very sweet person, a very loving person.”
Marilyn Monroe Early Steps: A Look at ‘Dangerous Years – Eve
“Dangerous Years” is a crime drama directed by Arthur Pierson. The film revolves around a group of troubled teenagers involved in criminal activities, highlighting the societal issues of juvenile delinquency and misguided youth. Amidst this hard-hitting narrative, a young Marilyn Monroe made her presence felt, albeit in a small role.
In “Dangerous Years”, Monroe played the part of Evie, a waitress at a local diner where the delinquent youths often gather. Her screen time was limited, and her lines were few. Yet, even in this brief appearance, Monroe managed to infuse her character with a sense of charm and warmth. She portrayed Evie with a blend of innocence and allure that hinted at the star quality she would later become famous for.
While “Dangerous Years” did not catapult Monroe to instant stardom, it served as a crucial stepping stone in her acting career. It gave her a taste of the film industry and provided her with valuable experience in front of the camera. Moreover, it offered her the opportunity to work alongside seasoned actors and learn from their craft.
Looking back at “Dangerous Years”, it’s fascinating to witness the early stages of Monroe’s acting career. The film, though not a major hit, is notable for being one of Monroe’s first film appearances. It provides a glimpse into her potential, offering hints of the exceptional talent that would eventually make her one of Hollywood’s most enduring icons.
After “Dangerous Years”, Monroe went on to land more significant roles, gradually building her reputation as a versatile and talented actress. From comedy to drama to musicals, Monroe showcased her wide-ranging abilities in a variety of genres, winning the hearts of audiences worldwide.
“Dangerous Years” may not be the most well-known film in Marilyn Monroe’s extensive filmography, but it holds a special place as one of the stepping stones that paved the way to her legendary status. Her performance as Evie offers a fascinating look at the budding talent of a star in the making, marking an important moment in Hollywood history.
Marilyn Monroe’s Breakthrough: A Closer Look at ‘Ladies of the Chorus’ (1948): Peggy Martin
Marilyn Monroe had her humble beginnings in the film industry playing small roles before making her way up to stardom. One of these early performances that marked a significant turning point in her career was in the 1948 musical film, “Ladies of the Chorus”, where she played the lead role of Peggy Martin.
“Ladies of the Chorus” is a romantic musical directed by Phil Karlson. The film revolves around a mother-daughter burlesque duo, with Monroe playing the daughter, Peggy Martin. This film marked Monroe’s first leading role, giving audiences an early glimpse of the charismatic presence she would bring to the silver screen.
As Peggy Martin, Monroe shines in a role that combines singing, dancing, and acting. Despite her relative inexperience, she imbued her character with a magnetic charm and vulnerability that hinted at the star quality she would later become famous for. Her performance of two songs, “Every Baby Needs a Da Da Daddy” and “Anyone Can See I Love You”, showcased her vocal talent and added another dimension to her growing repertoire.
“Ladies of the Chorus” is a landmark film in Monroe’s career for many reasons. Not only did it give her a chance to take on a leading role, but it also allowed her to showcase her talents as a singer and dancer. While the film itself did not achieve great commercial success, it played a pivotal role in shaping Monroe’s career trajectory, highlighting her potential as a leading lady.
Despite her performance being well-received, Monroe found herself without a contract after the film’s release. However, she didn’t let this setback deter her. She continued honing her craft, taking acting, singing, and dancing lessons, and her perseverance paid off when she was re-signed by Columbia Pictures in 1950.
Looking back at “Ladies of the Chorus”, it is clear that the film holds a special place in Monroe’s career. It served as a platform for the budding actress to demonstrate her range of talents and paved the way for the iconic roles she would later portray.
In the years following “Ladies of the Chorus”, Monroe went on to become one of Hollywood’s biggest stars, delivering memorable performances in films like “The Seven Year Itch”, “Gentlemen Prefer Blondes”, and “Some Like It Hot”. Yet, it was her early roles like Peggy Martin that laid the foundation for her illustrious career.
“Ladies of the Chorus” may not be the most well-known film in Monroe’s filmography, but its significance in her journey to stardom is undeniable. Through her portrayal of Peggy Martin, audiences got their first real taste of the talent, charisma, and star power that Marilyn Monroe possessed, marking the beginning of an extraordinary career in Hollywood.
Marilyn Monroe in ‘Love Happy’ (1949): Grunion’s Client : A Cameo that Left a Lasting Impression”
One performance that continues to fascinate fans and critics alike was her cameo in the 1949 comedy film, “Love Happy”.
“Love Happy” is a Marx Brothers comedy directed by David Miller. The film revolves around a group of actors who come together to put on a musical to raise funds to save an old opera house from a greedy mobster. Among the many characters in this zany comedy, Monroe made a brief but impactful appearance as a client of private detective Sam Grunion, played by Groucho Marx.
Despite having only a minute of screen time, Monroe made the most of her role. Dressed in a stunning black outfit and classic high heels, she delivers her lines with a flirtatious charm that leaves a lasting impression. Her famous line, “Some men are following me,” has since become one of the most quoted moments from the film.
Monroe’s appearance in “Love Happy” came at a pivotal moment in her career. She had just signed a new contract with 20th Century Fox and was on the cusp of becoming a breakout star. This small role offered her a chance to work with the legendary Marx Brothers and showcase her comedic timing, something she would become well-known for in her later films.
While “Love Happy” might not be the most remembered film in Monroe’s extensive filmography, her cameo has achieved a certain degree of fame over the years. It serves as an intriguing snapshot of Monroe at the beginning of her rise to stardom. Her brief appearance is a testament to her magnetic screen presence that captivated audiences, even in the smallest of roles.
Following “Love Happy”, Monroe’s career took off. She went on to star in a series of successful films in the 1950s, establishing herself as one of Hollywood’s leading actresses. Yet, it was her early roles like the one in “Love Happy” that offered a glimpse of the talent and charisma that would make her a legend.
In conclusion, Marilyn Monroe’s cameo in “Love Happy” holds a special place in her career. It not only showcased her early talent but also hinted at the star she was about to become. Even in a film filled with comedic legends like the Marx Brothers, Monroe managed to stand out, proving that she was indeed a star in the making.
Marilyn Monroe in ‘A Ticket to Tomahawk’ (1950): A Charming Turn as Clara”
While her major roles in films like “Some Like It Hot” and “Gentlemen Prefer Blondes” are well-known, her early work in lesser-known films also played an important part in shaping her career. One such performance was her portrayal of Clara in the 1950 Western comedy “A Ticket to Tomahawk”.
“A Ticket to Tomahawk” is a lighthearted Western directed by Richard Sale. The film’s story centers around the attempts to get a steam train to its destination while dealing with competition from a stagecoach company and attacks from local Indians. In this bustling narrative, Monroe plays Clara, a saloon singer and dancer.
As Clara, Monroe had a small but notable role. She showcased her singing and dancing talents in a musical number, charming the audience with her performance of “Oh, What a Forward Young Man You Are”. Even though her screen time was limited, she managed to leave a lasting impression with her radiant screen presence.
The film’s comedic elements allowed Monroe to display her knack for comedy, a genre she would later excel in. Despite being a minor character, Monroe’s Clara added a touch of glamour and light-hearted fun to the film.
“A Ticket to Tomahawk” was released at a time when Monroe was still relatively new to the film industry. Her performance in the film contributed to her growing reputation as a talented actress with a captivating screen presence. It also offered her valuable experience in working with an ensemble cast, which included seasoned actors like Dan Dailey and Anne Baxter.
While “A Ticket to Tomahawk” might not be the most remembered film in Monroe’s career, it holds a unique place in her filmography. It showcased her versatility as an actress, demonstrating her ability to handle both dramatic and comedic roles with equal ease. Moreover, her portrayal of Clara hinted at the star quality that would make her one of Hollywood’s most beloved actresses.
Following “A Ticket to Tomahawk”, Monroe’s career trajectory soared. She went on to deliver memorable performances in a series of successful films, affirming her status as one of Hollywood’s leading ladies. Yet, it was her early roles like Clara that laid the foundation for her legendary career.
In conclusion, Marilyn Monroe’s role in “A Ticket to Tomahawk” offers a glimpse into the early stages of her acting journey. Her performance as Clara not only highlighted her acting chops but also underscored her potential as a leading lady, marking an important stepping stone towards her eventual stardom.
“Marilyn Monroe in ‘The Asphalt Jungle’ (1950): A Breakthrough Role as Angela Phinlay”
Among her early works that played a crucial part in shaping her career was her performance as Angela Phinlay in the 1950 film noir classic, “The Asphalt Jungle”.
Directed by John Huston, “The Asphalt Jungle” is a gritty crime drama that tells the story of a group of small-time criminals who plan and execute a jewelry heist. In this ensemble cast, Monroe plays Angela Phinlay, the young mistress of corrupt lawyer Alonzo Emmerich, portrayed by Louis Calhern.
In her role as Angela, Monroe delivers a performance that, although brief, is impactful. Her character is introduced as a naive, somewhat ditzy blonde, a stereotype she would become famous for throughout her career. Despite her limited screen time, Monroe manages to create a memorable character, delivering her lines with a natural charm and innocence that makes Angela both likable and pitiable.
“The Asphalt Jungle” was a significant step in Monroe’s career. It was her first notable role in a major studio production and provided her with a platform to showcase her talent. Working alongside an accomplished cast, including Sterling Hayden and Jean Hagen, Monroe held her own, demonstrating her potential as an actress.
The film itself received widespread critical acclaim and was nominated for four Academy Awards, including Best Director for John Huston. Monroe’s performance was also well-received, leading to more substantial roles in future films.
While Monroe’s role in “The Asphalt Jungle” is relatively small compared to her later leading roles, it was pivotal in establishing her screen persona. The character of Angela Phinlay laid the groundwork for the ‘dumb blonde’ characters Monroe would later play to perfection, such as Lorelei Lee in “Gentlemen Prefer Blondes” and Sugar Kane in “Some Like It Hot”.
In conclusion, Marilyn Monroe’s performance in “The Asphalt Jungle” marks an important milestone in her career. Her portrayal of Angela Phinlay not only demonstrated her acting abilities but also helped shape the on-screen persona that would make her a Hollywood legend.
“Marilyn Monroe in ‘All About Eve’ (1950): A Scene-Stealing Turn as Miss Caswell”
Marilyn Monroe’s early work in smaller roles played an essential part in shaping her career. One such performance was her portrayal of Miss Caswell in the 1950 classic, “All About Eve.”
“All About Eve” is a critically acclaimed drama directed by Joseph L. Mankiewicz that explores ambition, betrayal, and manipulation in the world of theater. The film boasts an ensemble cast featuring Bette Davis, Anne Baxter, and George Sanders. Amidst these seasoned actors, Monroe had a minor but memorable role as Miss Caswell, an aspiring actress.
Monroe’s Miss Caswell is portrayed as a naive, somewhat clueless young woman trying to navigate the treacherous waters of show business. Despite her limited screen time, Monroe managed to make a lasting impression. Her portrayal of Miss Caswell’s innocence and vulnerability, combined with her natural charisma, resulted in a character that was both endearing and memorable.
This role came at a pivotal moment in Monroe’s career. Though she had already appeared in a few films, “All About Eve” was one of her first significant roles. It offered her an opportunity to share the screen with some of the industry’s top actors and showcase her talent on a larger stage.
“All About Eve” was a critical and commercial success, winning six Academy Awards, including Best Picture. Monroe’s performance, though brief, did not go unnoticed. Critics praised her comedic timing and on-screen presence, and she began to attract attention as a promising up-and-coming actress.
In retrospect, Monroe’s role in “All About Eve” can be seen as a stepping stone to her future success. It offered her exposure and experience, and her performance as Miss Caswell hinted at the star quality that would soon make her one of Hollywood’s most beloved actresses.
In conclusion, Marilyn Monroe’s portrayal of Miss Caswell in “All About Eve” provides an intriguing glimpse into the early stages of her acting career. Despite its brevity, this role showcased her talent and screen presence, paving the way for the iconic roles that were to follow.
“Marilyn Monroe in ‘The Fireball’ (1950): A Spirited Performance as Polly”
Marilyn Monroe was also a versatile actress who embraced a variety of roles throughout her career. One such role was her portrayal of Polly in the 1950 sports drama, “The Fireball.”
“The Fireball,” directed by Tay Garnett, is a roller-derby-themed film that tells the story of Johnny Casar, a young orphan with a talent for roller-skating played by Mickey Rooney. In this film, Monroe plays Polly, a young woman who works at a roller-skating rink where Johnny trains.
In her role as Polly, Monroe exhibits the charm and vivacity that would later become her trademark. Her character is warm, friendly, and supportive of Johnny, providing him with encouragement and moral support as he navigates his way through the roller derby scene. Despite her limited screen time, Monroe’s natural charisma shines through, making Polly a memorable character.
“The Fireball” marked a significant phase in Monroe’s career. Although she had been in a few films prior, this was one of her earliest speaking roles. Working alongside established actors like Mickey Rooney offered Monroe a chance to hone her acting skills and gain valuable experience.
The film itself may not have been a blockbuster hit, but it did provide an important platform for Monroe. It showcased her ability to handle both dramatic and light-hearted roles, demonstrating her range as an actress.
While Monroe’s role in “The Fireball” is often overshadowed by her later, more famous performances, it is still a noteworthy part of her filmography. Her portrayal of Polly exhibited her natural talent and screen presence, qualities that would soon make her one of the most beloved figures in Hollywood.
In conclusion, Marilyn Monroe’s performance as Polly in “The Fireball” offers an interesting glimpse into her early career. It served as a stepping stone for Monroe, allowing her to showcase her talents and setting the stage for the iconic roles that were to follow.
Marilyn Monroe in “The Right Cross” (1950) – Dusky Ledoux
In the world of classic cinema, even the smallest roles can leave a lasting impression. Such is the case with Marilyn Monroe’s brief appearance in the 1950 sports drama film “The Right Cross.” Despite being uncredited, Monroe’s portrayal of a fashion model named Dusky Ledoux remains a memorable part of her early career.
“The Right Cross,” a film by MGM and directed by John Sturges, delves into the world of boxing. It features an ensemble cast, including Dick Powell and June Allyson who were actually husband and wife in real life. Amidst this powerhouse cast, Monroe’s character, Dusky Ledoux, makes her appearance in a single scene.
Monroe’s portrayal of Dusky is marked by her unmistakable charisma and allure. Although the scene is brief, she manages to capture the audience’s attention, showcasing the star quality that would soon catapult her to stardom.
In the scene, Monroe shares screen space with Ricardo Montalban’s character Johnny, a boxer. The interaction, while short, offers a glimpse of Monroe’s early talent and potential. The scene also has its humorous moments, with Monroe’s character seemingly being the reason for the interruption in Johnny’s routine.
Despite the brevity of her role, Monroe’s performance as Dusky Ledoux in “The Right Cross” continues to resonate with audiences. Rare videos featuring her brief appearance in the film are available online, offering fans and classic film enthusiasts a chance to relive Monroe’s early days in Hollywood.
In conclusion, Marilyn Monroe’s role as Dusky Ledoux in “The Right Cross” serves as a fascinating testament to her early talent and the star power that would make her an enduring icon of Hollywood.
Marilyn Monroe in “Home Town Story” (1951) – Iris Martin
In 1951, Marilyn Monroe played a significant role in the drama film “Home Town Story.” Her character, Iris Martin, was an important step in her evolving career and offered glimpses of the iconic star she would soon become.
“Home Town Story,” directed by Arthur Pierson and produced by Metro-Goldwyn-Mayer, is a story revolving around a newspaper editor named Blake Washburn. Monroe’s character, Iris Martin, is the secretary to Washburn, played by actor Jeffrey Lynn.
Monroe’s portrayal of Iris Martin is marked by her signature charm and charisma. Even though she wasn’t the lead actress, her performance added a touch of glamour to the film. The role also showcased her growing acting skills, hinting at the future stardom that was just around the corner.
In the movie, Iris Martin is portrayed as a smart, resourceful woman who is dedicated to her job. She shares a good rapport with her boss, Blake, and often provides him with wise advice. Monroe’s nuanced performance helped bring depth to the character, making Iris Martin a memorable part of “Home Town Story.”
The film itself was initially intended to be a short feature promoting the business community. However, due to Monroe’s rising popularity, MGM decided to expand it into a full-length movie. This decision highlights the impact Monroe had on the film industry even in her early career.
Monroe’s role as Iris Martin in “Home Town Story” continues to be appreciated by fans and classic film enthusiasts alike. Clips featuring her performance are available online, offering viewers a glimpse into her early work.
In conclusion, Marilyn Monroe’s portrayal of Iris Martin in “Home Town Story” was a pivotal point in her career. It showcased her talent and potential, setting the stage for her eventual rise to stardom.
Marilyn Monroe in “As Young As You Feel” (1951) – Harriet
“As Young As You Feel” is a 1951 American comedy film that marked a significant milestone in Marilyn Monroe’s career. Directed by Harmon Jones, the film starred Monty Woolley, Thelma Ritter, and David Wayne, with Monroe in a small but memorable role.
The film marked Monroe’s second contractual relationship with Twentieth Century Fox, which began on December 10, 1950. This association was a turning point in her career, as it led to her gaining more visibility in Hollywood.
In “As Young As You Feel,” Monroe played the character of Harriet, appearing in several scenes. Even though Harriet was not one of the core characters, Monroe’s portrayal ensured that it left a lasting impression on the audience.
The film revolves around a man forced to retire at 65, but who impersonates the owner of his former employer’s corporation to change its retirement policy. Monroe’s character Harriet is the secretary to Albert Dekker’s character George Hodges, a business boss.
Monroe’s performance as Harriet showcased her acting prowess and her ability to hold her own in a star-studded cast. Her portrayal of Harriet was both charming and convincing, further establishing her as a talented actress.
Monroe’s role in “As Young As You Feel” also highlighted her distinctive screen presence. Despite not being one of the main characters, she managed to shine in her scenes, displaying a hint of the superstar she would eventually become.
The film was released in theaters on June 15, 1951, and later became available for streaming. Over the years, it has received positive reviews.
In conclusion, Marilyn Monroe’s role as Harriet in “As Young As You Feel” was a pivotal point in her career. It allowed her to showcase her talent and charm, setting the stage for her subsequent rise to stardom.
Marilyn Monroe in “Love Nest” (1951) – Roberta Stevens
“Love Nest” is a 1951 American comedy film directed by Joseph Newman, starring June Haver, William Lundigan, and Frank Fay. The film also features Marilyn Monroe in the role of Roberta Stevens, showcasing her comedic skills1.
Monroe’s portrayal of Roberta Stevens in “Love Nest” came during her contract with Twentieth Century Fox, marking an early stage in her rapidly ascending career2. This film helped establish her as a rising star in Hollywood.
In “Love Nest,” Monroe’s character, Roberta Stevens, is an ex-WAC (Women’s Army Corps) and an old flame of Jim Scott (played by William Lundigan), who returns to his life unexpectedly3. Despite not being a lead character, Monroe’s performance as Roberta Stevens leaves a lasting impression on the audience.
The storyline revolves around a couple who, after returning from the war, decide to convert their New York brownstone into a boarding house4. Monroe’s character Roberta adds comedic elements and complexity to the plot when she arrives on the scene.
Monroe’s performance as Roberta showcases her comedic timing and her ability to stand out even in a supporting role. Her portrayal of Roberta is both humorous and engaging, further solidifying her position as a talented actress.
Monroe’s role in “Love Nest” also underscores her unique screen presence. Even in a supporting role, she manages to shine in her scenes, hinting at the superstar she would soon become.
The film was released in theaters on October 10, 1951, and subsequently became available for streaming. Over the years, it has received positive reviews.
In conclusion, Marilyn Monroe’s portrayal of Roberta Stevens in “Love Nest” played a significant role in her early career. It allowed her to showcase her comedic talent and screen presence, paving the way for her rise to stardom.
Marilyn Monroe in “Let’s Make It Legal” (1951) – Joyce Mannering
“Let’s Make It Legal” is a 1951 romantic comedy directed by Richard Sale that holds a special place in the filmography of Hollywood’s most iconic blonde, Marilyn Monroe1. The film stars Claudette Colbert and Macdonald Carey, with Monroe playing a memorable supporting role as Joyce Mannering.
Monroe’s involvement in “Let’s Make It Legal” came during her contract with Twentieth Century Fox, a period that marked her rise to prominence in Hollywood.
In the film, Monroe’s character Joyce Mannering, a beauty contest winner, is a fortune hunter trying to attract Victor, a man who is only interested in winning back his ex-wife Miriam. Despite not being a lead character, Monroe’s performance as Joyce Mannering leaves a lasting impression on the audience.
The storyline revolves around a still-gorgeous grandmother (Claudette Colbert) divorcing her husband Hugh (Macdonald Carey) because he’s a compulsive gambler. The plot thickens when Joyce Mannering comes into the picture, adding a layer of complexity and humor to the story.
Monroe’s performance as Joyce showcases her comedic timing and her ability to stand out even in a supporting role. Her portrayal of Joyce is both humorous and engaging, further solidifying her position as a talented actress.
Monroe’s role in “Let’s Make It Legal” also underscores her unique screen presence. Even in a supporting role, she manages to shine in her scenes, hinting at the superstar she would soon become.
The film was released in theaters on October 31, 1951. Over the years, it has received positive reviews.
In conclusion, Marilyn Monroe’s portrayal of Joyce Mannering in “Let’s Make It Legal” played a significant role in her early career. It allowed her to showcase her comedic talent and screen presence, paving the way for her rise to stardom.
Marilyn Monroe in “Clash by Night” (1952) – Peggy
“Clash by Night” is a 1952 black-and-white American drama film directed by Fritz Lang, known for his work in the German expressionist movement. The film features a cast of distinguished actors, including Barbara Stanwyck, Paul Douglas, Robert Ryan, and Marilyn Monroe. Monroe’s role as Peggy is a testament to her ability to portray diverse characters with depth and nuance.
At the time of this film, Monroe was under contract with Twentieth Century Fox, and her role in “Clash by Night” marked an important stage in her career, demonstrating her potential in more dramatic roles.
In “Clash by Night,” Monroe plays Peggy, a young factory worker living in a small fishing village. She is in love with Joe Doyle, portrayed by Keith Andes. The film’s plot revolves around Mae Doyle (Barbara Stanwyck), who returns to her hometown and starts a tumultuous relationship with a married man. Monroe’s character, Peggy, represents a foil to Mae, embodying innocence and optimism.
Monroe’s performance as Peggy is compelling and authentic. She successfully portrays a character that is both complex and relatable, adding a layer of depth to the narrative. This role allowed Monroe to showcase her acting range beyond the comedic roles she was typically associated with.
Despite playing a supporting role, Monroe’s charisma and screen presence are undeniable in “Clash by Night.” Her scenes are memorable, highlighting her unique ability to hold her own even among an ensemble cast of seasoned actors.
The film debuted in June 1952 to positive reviews. It has since been recognized as a classic example of film noir, revered for its atmospheric cinematography and strong performances.
In conclusion, Marilyn Monroe’s role as Peggy in “Clash by Night” was a significant milestone in her career. It allowed her to demonstrate her dramatic capabilities and versatility as an actress, further cementing her legacy as one of Hollywood’s most iconic stars.
Marilyn Monroe in “We’re Not Married!” (1952): Annabel Norris
“We’re Not Married!” is a 1952 American romantic comedy directed by Edmund Goulding1. The film features an ensemble cast, which includes Ginger Rogers, Fred Allen, Victor Moore, and of course, Marilyn Monroe. Monroe’s role as Annabel Norris showcases her comedic prowess and ability to stand out in a star-studded cast.
Monroe was under contract with Twentieth Century Fox at the time, and her role in “We’re Not Married!” marked a significant step in her career. She was able to demonstrate her comedic timing and versatility as an actress.
In “We’re Not Married!”, Monroe plays Annabel Norris, the wife of an ambitious radio emcee, played by David Wayne3. The film’s plot revolves around five couples who discover that their marriages are not legally valid due to a technicality. This leads to a series of comedic scenarios as each couple decides how to handle the situation.
Monroe’s performance as Annabel Norris is both charming and hilarious, adding a touch of light-hearted humor to the film. Her character is a beauty queen who finds herself in a predicament when she wins a contest for married women, only to find out she is not legally married. Monroe’s portrayal of Annabel showcases her natural comedic talent and her ability to evoke laughter from the audience.
Despite being part of an ensemble cast, Monroe’s screen presence is undeniable in “We’re Not Married!”. Her scenes are memorable, further establishing her status as a Hollywood icon.
The film was released in July 1952 and was met with positive reviews. Over the years, it has maintained its charm.
In conclusion, Marilyn Monroe’s portrayal of Annabel Norris in “We’re Not Married!” was a key role in her career. It offered her the opportunity to showcase her comedic talent and screen presence, further cementing her position as one of Hollywood’s most beloved stars.
Marilyn Monroe in “Monkey Business” (1952) – Lois Laurel
“Monkey Business” is a 1952 American screwball comedy film directed by Howard Hawks. The film features an accomplished cast, including Cary Grant, Ginger Rogers, Charles Coburn, and Marilyn Monroe. Monroe’s role as Lois Laurel provides a glimpse into her comedic talent and her ability to captivate audiences.
At the time of “Monkey Business,” Monroe was under contract with Twentieth Century Fox, and her portrayal of Lois Laurel marked a significant step in her career, demonstrating her potential in comedic roles.
In “Monkey Business,” Monroe plays Lois Laurel, the secretary of a rich businessman, Oliver Oxley, portrayed by Charles Coburn. The film’s plot revolves around a scientist, played by Cary Grant, who stumbles upon a youth serum that causes him and his wife to act like children.
Monroe’s performance as Lois Laurel is both amusing and captivating. She successfully portrays a character that is both charming and naive, adding a layer of humor to the narrative. Monroe’s natural comedic timing shines through in this role, highlighting her versatility as an actress.
Despite playing a supporting role, Monroe’s charisma and screen presence are undeniable in “Monkey Business.” Her scenes are memorable, and she manages to stand out even among an ensemble cast of seasoned actors.
The film debuted in September 1952 to positive reviews. It has since been recognized as a classic example of screwball comedy, revered for its witty dialogue and strong performances.
In conclusion, Marilyn Monroe’s role as Lois Laurel in “Monkey Business” was a significant milestone in her career. It allowed her to demonstrate her comedic capabilities and versatility as an actress, further cementing her legacy as one of Hollywood’s most iconic stars.
Marilyn Monroe in “O. Henry’s Full House” (1952): Streetwalker
“O. Henry’s Full House” is a 1952 American anthology film made by 20th Century Fox, directed by five separate directors from five separate screenplays. The film showcases the works of the short story writer O. Henry and features an ensemble cast, including Charles Laughton, David Wayne, Farley Granger, and Marilyn Monroe. Monroe’s role as a streetwalker in the segment “The Cop and the Anthem” is a testament to her versatility and talent as an actress.
At the time of this film, Monroe was under contract with Twentieth Century Fox, and her role in “O. Henry’s Full House” marked another significant step in her career, demonstrating her ability to take on diverse roles.
In “The Cop and the Anthem” segment, Monroe plays a streetwalker who crosses paths with Soapy Smith, played by Charles Laughton3. The plot revolves around Soapy’s attempts to get arrested so that he can spend the cold winter in a warm jail. Monroe’s character adds a touch of comedy and charm to the story.
Monroe’s performance as the streetwalker is brief but memorable. Despite her limited screen time, she manages to create a character that is both amusing and engaging. This role allowed Monroe to showcase her acting range, proving that she could hold her own even in a brief appearance.
The film was released in September 1952 and received positive reviews. demonstrating the enduring appeal of its stories and performances.
In conclusion, Marilyn Monroe’s role as a streetwalker in “O. Henry’s Full House” was a key role in her career. It offered her the opportunity to showcase her acting range and screen presence, further cementing her position as one of Hollywood’s most beloved stars.
Marilyn Monroe in “Don’t Bother to Knock” (1952) – Nell Forbes
“Don’t Bother to Knock” is a 1952 American film noir directed by Roy Ward Baker. The film is noteworthy for featuring Marilyn Monroe in her first leading role, portraying the character Nell Forbes, a psychologically disturbed babysitter. This role was a departure from Monroe’s previous comedic roles, proving her ability to take on more dramatic and complex characters.
At the time of the film, Monroe was under contract with Twentieth Century Fox, and her role in “Don’t Bother to Knock” marked a significant turning point in her career, demonstrating her potential as a serious actress.
In “Don’t Bother to Knock,” Monroe plays Nell Forbes, a young woman recently discharged from a mental institution, who gets a job babysitting at a posh New York City hotel. The plot unfolds as Nell begins to unravel over the course of the evening, leading to a series of suspenseful and dramatic events.
Monroe’s performance as Nell Forbes is both haunting and compelling. She successfully portrays a character that is deeply troubled and unstable, bringing an intensity to the narrative that is both unsettling and captivating. Monroe’s ability to embody such a complex character highlights her talent as an actress.
Despite the dark nature of the film, Monroe’s charisma and screen presence are undeniable in “Don’t Bother to Knock.” Her scenes are intense and memorable, and she manages to command the audience’s attention throughout the film.
The film was released in July 1952 and received mixed reviews. However, it has since been recognized as a classic example of film noir, revered for its atmospheric cinematography and strong performances.
In conclusion, Marilyn Monroe’s role as Nell Forbes in “Don’t Bother to Knock” was a significant milestone in her career. It allowed her to demonstrate her dramatic capabilities and versatility as an actress, further cementing her legacy as one of Hollywood’s most iconic
stars.
Marilyn Monroe in “Niagara” (1953)—Rose Loomis
“Niagara” is a 1953 American film noir thriller directed by Henry Hathaway. The film is celebrated for Marilyn Monroe’s leading role as Rose Loomis, a femme fatale who plans to murder her husband. This role was a significant departure from Monroe’s previous roles, emphasizing her range as an actress and her ability to portray complex characters.
Marilyn Monroe’s luminescent beauty in full color for the first time with the release of “Niagara”. This film was a departure from the typical black-and-white film noirs of that era. Instead, it was shot in vibrant “three-strip” Technicolor1, a process that added an extra layer of allure to Monroe’s on-screen presence.
Before “Niagara”, Monroe had already appeared in color footage. A vintage reel of 16-millimeter color film footage titled “Seven Sirens” showcases a young Norma Jeane Baker (Monroe’s birth name) among other models. However, it was her role as Rose Loomis in “Niagara” that marked her first feature film in full color and paved the way for her future success in Hollywood.
Monroe starred as Rose Loomis, a character caught in a strained relationship with her husband, George Loomis (played by Joseph Cotten). The couple visits Niagara Falls in an attempt to regain their marital bliss. However, the suspense builds as Rose, portrayed as a femme fatale, plans to murder her husband with the help of her lover.
Monroe’s performance as Rose Loomis is both captivating and chilling. She effectively portrays a character that is seductive and dangerous, bringing a sense of tension and intrigue to the narrative. Monroe’s ability to embody such a complex character exhibits her versatility and talent as an actress.
Despite the dark undertones of the film, Monroe’s charisma and screen presence are undeniable in “Niagara.” Her scenes are intense and memorable, and she manages to captivate the audience with her performance.
The film debuted in January 1953 and received positive reviews. It has since been recognized as a classic example of film noir, revered for its atmospheric cinematography, suspenseful plot, and strong performances.
In conclusion, Marilyn Monroe’s role as Rose Loomis in “Niagara” was a significant milestone in her career. It allowed her to showcase her dramatic abilities and versatility as an actress, further solidifying her legacy as one of Hollywood’s most iconic stars.
Marilyn Monroe in “Gentlemen Prefer Blondes” (1953) – Lorelei Lee
In 1953, the silver screen was graced with a captivating performance by Marilyn Monroe in the film “Gentlemen Prefer Blondes,” where she played the iconic character, Lorelei Lee. This role further solidified Monroe’s status as a Hollywood starlet and showcased her remarkable talent for comedy and musical performance.
The Film and Character
“Gentlemen Prefer Blondes” is a musical comedy directed by Howard Hawks1. Based on the 1949 stage musical of the same name, the film centers around two showgirls, Lorelei Lee and Dorothy Shaw, played by Marilyn Monroe and Jane Russell respectively.
Monroe’s character, Lorelei Lee, is a beautiful, charming, yet materialistic blonde who believes that “diamonds are a girl’s best friend”. She is engaged to a wealthy man, Gus Esmond, much to the disapproval of his father.
Monroe’s Performance
Monroe’s portrayal of Lorelei Lee was both enchanting and humorous. With her comedic timing and charismatic presence, she brought Lorelei to life in a way that was both engaging and relatable. The character became one of Monroe’s most memorable roles, showcasing her ability to combine sensuality with innocence.
One of the standout scenes from the film features Monroe performing the song “Diamonds Are a Girl’s Best Friend”. Dressed in a stunning pink dress and surrounded by suit-clad men, Monroe delivers a performance that is not only visually striking but also highlights her vocal talents.
Impact and Legacy
“Gentlemen Prefer Blondes” was a critical and commercial success, grossing over $5.3 million at the box office3. It catapulted Monroe to global stardom and established her as a top-billed actress. Her performance as Lorelei Lee left a lasting impact, shaping the public’s perception of Monroe as the quintessential “blonde bombshell”.
The film’s influence can still be seen in popular culture today. The “Diamonds Are a Girl’s Best Friend” sequence has been recreated and referenced numerous times, most notably by Madonna in her music video for “Material Girl” and by Nicole Kidman in the film “Moulin Rouge!”.
In conclusion, Marilyn Monroe’s performance as Lorelei Lee in “Gentlemen Prefer Blondes” remains an iconic moment in cinema history. It showcased her comedic talent, musical abilities, and undeniable screen presence, making it one of the defining roles of her career.
Marilyn Monroe in “How to Marry a Millionaire” (1953) – Pola Debevoise
In 1953, following the success of “Gentlemen Prefer Blondes,” Marilyn Monroe starred in another hit comedy, “How to Marry a Millionaire.” In this film, she played the comedic and endearing character Pola Debevoise, showcasing her versatility as an actress.
The Film and Character
“How to Marry a Millionaire” is a romantic comedy directed by Jean Negulesco1. The plot revolves around three women, Schatze Page (Lauren Bacall), Loco Dempsey (Betty Grable), and Pola Debevoise (Marilyn Monroe), who rent an upscale New York City apartment with a plan to marry rich men.
Monroe’s character, Pola Debevoise, is a charming but somewhat naive model who refuses to wear her glasses despite her poor vision because she believes “men aren’t attentive to girls who wear glasses.”
Monroe’s Performance
Monroe’s portrayal of Pola Debevoise showcased her comedic abilities. She skillfully played the role of a ditzy blonde with poor eyesight, providing many of the film’s funniest moments. Despite her character’s vanity and naivety, Monroe infused Pola with a sense of relatability and warmth, making audiences root for her.
One of the most memorable scenes involves Pola navigating a dinner party without her glasses, resulting in a series of humorous mishaps2. Monroe’s physical comedy in this scene displayed her ability to use her body language and facial expressions to comedic effect.
Impact and Legacy
“How to Marry a Millionaire” was a commercial success, earning $7.9 million at the box office3. It further established Monroe as a leading lady in Hollywood and cemented her reputation as a talented comedienne.
The film is also notable for being one of the first movies to be filmed in the new CinemaScope wide-screen sound process, adding to its visual appeal and cinematic impact.
Today, Monroe’s performance as Pola Debevoise remains one of her most beloved roles, demonstrating her comedic timing, charm, and screen presence. It is a testament to her versatility as an actress and her ability to create memorable characters that continue to resonate with audiences.
Marilyn Monroe in “River of No Return” (1954) – Kay Weston
In 1954, Marilyn Monroe starred in the Western film “River of No Return,” directed by Otto Preminger. In a departure from her usual roles, Monroe played the character of Kay Weston, a strong, resilient woman navigating the harsh realities of frontier life.
The Film and Character
“River of No Return” is a Western adventure set in the Northwest during the 19th century gold rush. The story follows Matt Calder (Robert Mitchum), a farmer who helps a saloon singer, Kay Weston (Marilyn Monroe), and her young son after they are abandoned by her gambler boyfriend.
Monroe’s character, Kay Weston, is a rugged yet vulnerable saloon singer trying to make ends meet in a harsh environment. She is presented as a survivor, toughened by her circumstances but still retaining an essential warmth and humanity.
Monroe’s Performance
Monroe’s portrayal of Kay Weston was a departure from her previous roles as glamorous and somewhat naive women. As Kay, she showcased her ability to take on more dramatic and complex roles. Despite the physical hardship her character endures, Monroe infuses Kay with a sense of optimism and resilience that resonates with audiences.
Moreover, Monroe got the chance to display her singing talent in this film. She performed several songs, including the title track “River of No Return” and “I’m Gonna File My Claim,” which became popular numbers.
Impact and Legacy
“River of No Return” was a moderate box-office success, earning $4.5 million. It allowed Monroe to explore a different genre and expand her acting range. Her performance as Kay Weston showed that she could hold her own in a dramatic role and handle the physical demands of an adventure film.
Despite Monroe’s reported difficulties during the production, including conflicts with the director and health issues, her portrayal of Kay Weston remains a testament to her versatility as an actress. It stands as evidence of her ability to break away from typecasting and take on challenging roles.
In conclusion, Marilyn Monroe’s role as Kay Weston in “River of No Return” marked a significant step in her career, highlighting her talents beyond comedy and musicals and showcasing her as a versatile actress capable of delivering powerful dramatic performances.
Marilyn Monroe in “There’s No Business Like Show Business” (1954) – Vicky Hoffman
In 1954, the multi-talented Marilyn Monroe took on the role of Vicky Hoffman in the musical comedy “There’s No Business Like Show Business.” This film showcased Monroe’s singing and dancing prowess, along with her comedic timing.
The Film and Character
“There’s No Business Like Show Business” is a musical comedy directed by Walter Lang. The plot follows the Donahues, an entertainment family, whose lives take a turn when their son meets a talented hat-check girl, Vicky Hoffman, played by Marilyn Monroe.
Vicky Hoffman is a young, ambitious performer who dreams of stardom. Her character’s journey intersects with the Donahue family, leading to a mix of romance, drama, and musical numbers.
Monroe’s Performance
Monroe’s portrayal of Vicky Hoffman showcased her talents as a songstress and dancer. She performed several musical numbers, including “After You Get What You Want, You Don’t Want It,” and the iconic “Heat Wave,” where she dazzled audiences with her vibrant energy and show-stopping dance routine.
Monroe also brought depth to her character, portraying Vicky’s ambition and vulnerability with a delicate balance. Her performance highlighted her ability to embrace complex characters and deliver nuanced performances.
Impact and Legacy
“There’s No Business Like Show Business” was a commercial success, grossing over $5 million at the box office. It further solidified Monroe’s status as a leading lady in Hollywood and showcased her range as an entertainer.
The film is also notable for its star-studded cast, including Ethel Merman, Donald O’Connor, and Mitzi Gaynor, and for its elaborate musical numbers, which are among the most memorable in the genre.
Monroe’s performance as Vicky Hoffman is remembered for its energy, charisma, and musical talent. The film’s title song, “There’s No Business Like Show Business,” has become synonymous with the glamour and excitement of the entertainment industry.
In conclusion, Marilyn Monroe’s role as Vicky Hoffman in “There’s No Business Like Show Business” highlighted her talents beyond acting, showcasing her remarkable abilities as a singer and dancer. It remains an iconic performance in her illustrious career.
Marilyn Monroe in “The Seven Year Itch” (1955): The Girl
In 1955, celebrated Hollywood icon, Marilyn Monroe, starred in the classic comedy, “The Seven Year Itch.” Directed by Billy Wilder, the film is famous for one of the most iconic images of the 20th century – Monroe standing over a subway grate as her white dress billows around her.
The Film and Character
“The Seven Year Itch” is a comedic exploration of marriage, temptation, and fantasy, with Monroe playing “The Girl,” a beautiful and naive young woman who becomes the object of Richard Sherman’s (Tom Ewell) fantasies while his family is away for the summer.
Monroe’s Performance
Monroe’s portrayal of “The Girl” captures the perfect blend of innocence and allure. Her performance is both charming and magnetic, making her the focal point of the film. The scene where she stands over a subway grate, her dress billowing around her, is one of the most memorable moments in cinematic history.
The Film’s Impact and Legacy
“The Seven Year Itch” was a commercial success, grossing $12 million at the box office further solidifying Monroe’s status as a leading lady in Hollywood. The film’s enduring popularity is largely due to Monroe’s performance, which encapsulates the blend of innocence and sensuality that defined her on-screen persona.
Today, “The Seven Year Itch” is considered a classic of American cinema. The image of Monroe standing over the subway grate has become an emblem of her career, influencing popular culture and becoming instantly recognizable worldwide.
CinemaScope
“The Seven Year Itch” was indeed shot in CinemaScope, a widescreen format that became popular in the 1950s as a way for the film industry to compete with television. The use of CinemaScope in “The Seven Year Itch” added to the film’s visual appeal, enhancing its comedic elements and Monroe’s captivating performance.
In conclusion, Marilyn Monroe’s role as “The Girl” in “The Seven Year Itch” is a testament to her talent, charisma, and enduring appeal. It encapsulates the qualities that made her a star and continues to resonate with audiences today.
Marilyn Monroe in “Bus Stop” (1956) – Chérie
In 1956, Marilyn Monroe delivered one of her most acclaimed performances in the romantic drama “Bus Stop,” directed by Joshua Logan. Playing the role of Chérie, a nightclub singer from Phoenix, Arizona, Monroe showcased her dramatic talent and musical prowess.
The Film and Character
“Bus Stop” is based on William Inge’s play of the same name. It follows the story of Bo Decker (Don Murray), a naive cowboy who falls for Chérie, a vulnerable but ambitious nightclub singer played by Monroe.
Chérie dreams of a better life and is both charmed and terrified by Bo’s intense, clumsy courtship. Her character is complex and multi-dimensional, offering Monroe an opportunity to step away from the comedic roles she was often cast in and showcase her dramatic range.
Monroe’s Performance
Monroe’s portrayal of Chérie is considered one of her finest performances. She perfectly captures Chérie’s vulnerability, ambition, and resilience, bringing a depth and authenticity to the character that resonated with audiences.
Her rendition of the song “That Old Black Magic” is a highlight of the film, showcasing her singing talents. Monroe’s performance earned her a Golden Globe nomination for Best Actress.
Impact and Legacy
“Bus Stop” was a critical and commercial success, grossing $4.25 million at the box office. It cemented Monroe’s status as a versatile actress capable of tackling a variety of roles.
The film also marked a turning point in Monroe’s career, as it was her first role after studying method acting at the Actors Studio in New York. Her nuanced performance as Chérie demonstrated her commitment to her craft and her ability to portray complex characters.
Today, “Bus Stop” is remembered as one of Monroe’s best films, and her performance as Chérie is considered a highlight of her career. It stands as a testament to her talent and versatility as an actress.
In conclusion, Marilyn Monroe’s role as Chérie in “Bus Stop” demonstrated her dramatic range and commitment to her craft. It remains an iconic performance in her illustrious career and continues to resonate with audiences today.
Marilyn Monroe in “The Prince and the Showgirl” (1957) – Elsie Marina
In 1957, Hollywood icon Marilyn Monroe starred in the romantic comedy “The Prince and the Showgirl,” directed by Laurence Olivier. Playing the role of Elsie Marina, a showgirl who catches the eye of a European prince, Monroe showcased her comedic talent and screen presence.
The Film and Character
“The Prince and the Showgirl” is set in London in 1911 during the coronation of King George V1. Monroe’s character, Elsie Marina, is an American showgirl performing at a London revue. She finds herself caught up in political intrigue when she attracts the attention of Prince Regent of Carpathia, played by Laurence Olivier.
Elsie is a charming and naive character, who brings a light-hearted innocence to the otherwise stiff and formal world of European royalty. She navigates the political intrigue with aplomb and humor, providing many of the film’s comedic moments.
Monroe’s Performance
Monroe’s portrayal of Elsie Marina is marked by her comedic timing and charismatic screen presence. She brings a delightful blend of innocence and savvy to the role, creating a character that is both endearing and entertaining.
Her on-screen chemistry with Olivier, one of the great actors of his generation, adds to the film’s charm. Despite reported tensions between Monroe and Olivier during filming, their performances created a captivating dynamic that drives the film.
Impact and Legacy
“The Prince and the Showgirl” was a moderate success at the box office. It received mixed reviews from critics, but Monroe’s performance was widely praised. The film earned her a BAFTA nomination for Best Foreign Actress.
The film is significant in Monroe’s career as it was the first film produced by her own production company, Marilyn Monroe Productions. This marked a turning point in her career as she sought greater control over her roles and image.
Today, “The Prince and the Showgirl” is remembered as a showcase for Monroe’s comedic talent and screen presence. Her performance as Elsie Marina remains a highlight of her career and continues to entertain audiences.
In conclusion, Marilyn Monroe’s role as Elsie Marina in “The Prince and the Showgirl” highlights her comedic talent and screen charisma. It stands as a testament to her skill as an actress and her determination to shape her own career.
Marilyn Monroe in “Some Like It Hot” (1959) – Sugar Kane Kowalczyk
In 1959, Marilyn Monroe starred in one of the greatest comedies in film history, “Some Like It Hot,” directed by Billy Wilder. As Sugar Kane Kowalczyk, a vulnerable and endearing ukulele player and singer, Monroe delivered a performance that is remembered as one of her best.
The Film and Character
“Some Like It Hot” tells the story of two musicians, Joe and Jerry (played by Tony Curtis and Jack Lemmon), who disguise themselves as women and join an all-female band to hide from gangsters.
Monroe’s character, Sugar Kane Kowalczyk, is the band’s vocalist and ukulele player.
Sugar is a sweet, naive, and somewhat melancholic character who dreams of marrying a millionaire. Monroe brings a unique combination of charm, vulnerability, and comedic timing to the role, creating a character that is both endearing and entertaining.
Monroe’s Performance
Monroe’s performance as Sugar Kane Kowalczyk is widely regarded as one of her best. Her comedic timing is perfect, and her on-screen chemistry with Curtis and Lemmon adds to the film’s humor and charm. Her rendition of the songs “I Wanna Be Loved By You” and “Running Wild” are memorable moments, showcasing her singing talent.
Despite facing personal challenges during filming, including her struggle with depression and anxiety, Monroe delivered a performance that was both funny and touching
.
Impact and Legacy
“Some Like It Hot” was a major success, becoming the highest-grossing comedy of 19594. It received six Academy Award nominations and won one for Best Costume Design. Monroe won a Golden Globe for Best Actress in a Comedy or Musical for her performance.
The film is considered one of the greatest comedies in the history of cinema. Monroe’s performance as Sugar Kane Kowalczyk is a testament to her talent and charisma, and it continues to resonate with audiences today.
In conclusion, Marilyn Monroe’s role as Sugar Kane Kowalczyk in “Some Like It Hot” is a highlight of her career and a landmark in cinematic comedy. Her performance showcases her unique blend of charm, vulnerability, and comedic talent, making it a must-see for any film lover.
Marilyn Monroe in “Let’s Make Love” (1960) – Amanda Dell
In 1960, the legendary Marilyn Monroe graced the silver screen in the musical comedy “Let’s Make Love,” directed by George Cukor. As the character Amanda Dell, a talented and ambitious actress, Monroe delivered a performance that showcased her comedic talent and musical ability.
The Film and Character
“Let’s Make Love” tells the story of Jean-Marc Clement (played by Yves Montand), a billionaire who discovers that an off-Broadway show is satirizing him. Monroe’s character, Amanda Dell, is an actress in the show.
Amanda is a charming and ambitious character who dreams of success on Broadway. She is attracted to Jean-Marc, unaware of his true identity, and this forms the crux of the film’s romantic comedy.
Monroe’s Performance
Monroe’s portrayal of Amanda Dell showcases her comedic timing and musical talent. Her on-screen chemistry with Montand is engaging, and her rendition of songs like “My Heart Belongs to Daddy” and “Let’s Make Love” are highlights of the film.
Despite facing personal difficulties during filming, including health issues and tensions in her marriage to playwright Arthur Miller, Monroe delivered a captivating performance that added charm and humor to the film.
Impact and Legacy
“Let’s Make Love” was met with mixed reviews from critics but was a moderate success at the box office. Monroe’s performance, however, was widely praised. The film is notable for featuring a cameo from then-rising star Tony Curtis, who had previously co-starred with Monroe in “Some Like It Hot”.
Today, “Let’s Make Love” is remembered for Monroe’s performance as Amanda Dell. Her comedic talent and musical abilities shine in this role, reinforcing her status as one of Hollywood’s most iconic actresses.
In conclusion, Marilyn Monroe’s role as Amanda Dell in “Let’s Make Love” is a testament to her talent and versatility as an actress. Despite the challenges she faced during production, her performance remains a highlight of the film and continues to entertain audiences today.
Marilyn Monroe in “The Misfits” (1961) – Roslyn Taber
“The Misfits” is a 1961 American contemporary Western film, written by Arthur Miller, directed by John Huston, and starring Clark Gable, Marilyn Monroe, and Montgomery Clift1. The film stands out not only for its compelling narrative but also for being the last completed film of both Monroe and Gable.
The Film and Character
Set in the Nevada desert, “The Misfits” tells the story of three modern-day cowboys and a radiant yet emotionally fragile woman named Roslyn Taber1. Monroe’s character, Roslyn, is an ex-stripper who has come to Reno, Nevada, to get a divorce. She ends up forming complex relationships with an over-the-hill cowboy, Gay Langland (Clark Gable), and his friend, rodeo rider Perce Howland (Montgomery Clift).
Monroe’s Performance
Monroe’s portrayal of Roslyn Taber is considered one of her most nuanced performances. Roslyn is a troubled divorcee, a role that allowed Monroe to showcase her dramatic talent4. Monroe succeeded in bringing depth and vulnerability to her role, making Roslyn’s emotional journey one of the most captivating aspects of the film.
Despite facing personal issues during filming, including her deteriorating marriage to playwright Arthur Miller, Monroe delivered a performance that was both poignant and emotionally charged.
Impact and Legacy
“The Misfits” was met with mixed reviews upon its release but has since been reassessed by critics and is now regarded as a classic5. It’s often described as a life portrait of Marilyn Monroe, reflecting many aspects of her own personal struggles.
Monroe’s performance as Roslyn Taber is remembered as a testament to her abilities as a dramatic actress. Despite the challenges she faced off-screen, she was able to deliver a deeply affecting portrayal that continues to resonate with audiences today.
In conclusion, Marilyn Monroe’s role as Roslyn Taber in “The Misfits” is a poignant reminder of her skill as an actress and her enduring legacy in Hollywood. Her final performance, filled with emotional depth and complexity, stands as a testament to her talent and versatility.
In conclusion, Marilyn Monroe’s role as Roslyn Taber in “The Misfits” is a poignant reminder of her skill as an actress and her enduring legacy in Hollywood. Her final performance, filled with emotional depth and complexity, stands as a testament to her talent and versatility.
Marilyn Monroe’s Cinematic Journey and Earnings
Marilyn Monroe, one of the most iconic figures in Hollywood history, had a prolific career spanning over a decade from her brief appearance in “The Asphalt Jungle” (1950) to her final completed film, “The Misfits” (1961). Monroe’s 23 movies grossed a total of more than $200 million in their first runs, and her fame surpassed that of any other entertainer of her time.
Monroe’s earnings primarily came from her film salary, which amounted to nearly $3 million over her career4. Her revenue was significantly bolstered in 1955 when she established her own production company, Marilyn Monroe Productions. This move won Monroe a new salary of $100,000 for four movies over a seven-year period.
Individual films also brought significant income. For example, co-starring in one unnamed film earned Monroe the modern-day equivalent of $891,180. Another film, produced by Fox, earned the studio $15 million, equivalent to $150 million today.
Despite her successful career, Monroe’s lavish lifestyle and generous spending meant that her net worth did not always reflect her earnings. Nevertheless, her films’ continued popularity ensures her enduring presence in the entertainment industry.
In conclusion, Marilyn Monroe’s cinematic journey was marked by groundbreaking roles and significant earnings, making her one of the highest-grossing actresses of her time. Her legacy continues to live on, with her films still celebrated and enjoyed by audiences around the world.
The Tragic End of Marilyn Monroe’s Cinematic Journey
Marilyn Monroe’s cinematic journey was a dazzling yet heart-wrenching narrative filled with highs and lows. From her abandoned childhood to her ascent as a movie star royalty, Monroe’s life was a real-life Cinderella story, albeit one with a tragic ending.
Her final film, “The Misfits,” stands out not only for its compelling narrative but also for its dark legacy, as it was the last completed film of Monroe. Her portrayal of Roslyn Taber in this film is considered one of her most nuanced performances, showcasing her dramatic talent despite her personal struggles.
Monroe’s sudden death in August 1962 shocked the world. She died of a barbiturate overdose, a tragic end that overshadowed her illustrious career. Her final words were described as ‘alarming’ by those close to her, adding to the mystery and speculation surrounding her untimely demise.
Even in her final hours, Monroe’s life was scrutinized and dissected, as seen in the recent Netflix documentary ‘The Mystery of Marilyn Monroe: The Unheard Tapes,’ which uncovers new details about Monroe’s death.
Despite the tragedy that marked the end of her life, Monroe’s legacy continues to endure. Her films remain popular, and her image continues to be synonymous with Hollywood glamour. She is remembered not only for her beauty and talent but also for her vulnerability and the depth she brought to her roles.
In conclusion, Marilyn Monroe’s life and cinematic journey, much like her performances, were filled with both light and shadow. Her tragic end serves as a stark reminder of the human behind the Hollywood icon, a woman who sought happiness and love amidst the glitz and glamor of the silver screen.
FAQs About Marilyn Monroe Movies
Did Marilyn Monroe ever win an Oscar?
No, Marilyn Monroe never won an Oscar. Despite her immense popularity and critical acclaim for certain roles, she was never nominated for an Academy Award1.
How many movies did Marilyn Monroe act in?
Marilyn Monroe acted in a total of 29 films throughout her career. Her roles ranged from minor appearances in her early days to leading roles that defined her status as a Hollywood icon.
What are Marilyn Monroe’s best movies?
Some of Marilyn Monroe’s best movies, often highlighted for their impact and her performances, include:
- Some Like It Hot (1959): Considered one of her finest performances, this comedy has stood the test of time.
- The Misfits (1961): Her last completed film, showcasing her dramatic talents.
- Gentlemen Prefer Blondes (1953): A musical comedy that cemented her status as a major star.
- How to Marry a Millionaire (1953): Another comedy that demonstrated her charm and comedic timing34.
- The Seven Year Itch (1955): Famous for its iconic scene with the blowing dress.
Top 10 best Marilyn Monroe movies
According to various rankings, the top 10 best Marilyn Monroe movies are:
- Some Like It Hot (1959)
- The Misfits (1961)
- Gentlemen Prefer Blondes (1953)
- The Seven Year Itch (1955)
- How to Marry a Millionaire (1953)
- Niagara (1953)
- Bus Stop (1956)
- The Prince and the Showgirl (1957)
- Don’t Bother to Knock (1952)
- Monkey Business (1952).
Where can I find Marilyn Monroe movies streaming?
Marilyn Monroe movies can be found on various streaming platforms. Some popular titles are available on:
- Amazon Prime Video: Offers a wide selection of her films, including collections.
- Hulu: Sometimes features classic movies, including those starring Monroe.
- Criterion Channel: Known for its extensive library of classic and influential films.
- YouTube: Some of her movies may be available for rent or purchase.
Marilyn Monroe movies in order
Here is a chronological list of significant Marilyn Monroe movies:
- Dangerous Years (1947)
- The Shocking Miss Pilgrim (1947)
- Scudda Hoo! Scudda Hay! (1948)
- Ladies of the Chorus (1948)
- All About Eve (1950) – minor role
- The Asphalt Jungle (1950) – minor role
- Monkey Business (1952)
- Don’t Bother to Knock (1952)
- Niagara (1953)
- Gentlemen Prefer Blondes (1953)
- How to Marry a Millionaire (1953)
- River of No Return (1954)
- There’s No Business Like Show Business (1954)
- The Seven Year Itch (1955)
- Bus Stop (1956)
- The Prince and the Showgirl (1957)
- Some Like It Hot (1959)
- Let’s Make Love (1960)
- The Misfits (1961).
Are Marilyn Monroe movies available on Netflix?
As of now, availability of Marilyn Monroe movies on Netflix varies by region and over time. Popular titles like “The Seven Year Itch” and “Gentlemen Prefer Blondes” might not always be available on Netflix. For the most accurate and current listings, check Netflix directly